26 October 2012 to 17 February 2013
The naked man is invisible. Does the male body have nothing to say to us? On the contrary.
This exhibition tells how man has been re-inventing himself since the last century – and how he faces his nakedness. With courage and doubts, with a joy in new ways of living. And how self-confident women artists have conquered a motif that was long forbidden to them.
For centuries, the naked man could only be depicted as a mythological hero or Christian martyr. Around 1900, the first major crisis of male identity changed the view of the male nude. For the artists of Modernism, the naked body, divested of every role, became a means of self-questioning and signifier of socio-political renewal. From this point on, the exhibition follows the naked man through the 20th and 21st century – through crises of identity and phases of selfconfidence, tracing attempts to deconstruct traditional images of masculinity and a search for alternatives, showing the engagement with weakness and vulnerability, illustrating the gaze of desire and the erotic pose.
The scope of artistic positions ranges from Egon Schiele to Ron Mueck and Lucian Freud, Lovis Corinth to Matthew Barney and Artur Zmijewski, Erich Heckel and Robert
Mapplethorpe to Keith Haring and Eric Fischl, Paula Modersohn-Becker to Maria Lassnig, Louise Bourgeois, Katarzyna Kozyra and Elke Silvia Krystufek, Oskar Kokoschka to Gelatin, from Edvard Munch and Károly Ferenczy to David Hockney and Andy Warhol, Gilbert & George, Pierre et Gilles and Gil & Moti – to name only a few.
More than 300 exhibits - loaned works from the USA and all over Europe, as well as more than sixty works from the museum's own holdings – form twelve chapters of a show that investigates the role of the male body across more than a century, in a way that has not been seen before.
The exhibition developed in LENTOS will be shown in an adapted form from 21 March to 30 June 2013 in the Ludwig Museum – Museum of Contemporary Art, Budapest.
The Naked Man marks the start of the anniversary year 2013, in which LENTOS celebrates its ten years of existence.
Curators: Sabine Fellner, Elisabeth Nowak-Thaller, Stella Rollig
The exhibitions in Linz and Budapest are accompanied by the catalogue The naked Man, edited in the Verlag für Moderene Kunst, Nürnberg by Stella Rollig and Barnabás Bencsik. With essays by Edit András, Christina von Braun, Paula Diehl, Sabine Fellner, Elisabeth Nowak-Thaller, Stella Rollig, Hedvig Turai and Peter Weiermeier and a preface by Stella Rollig and Barnabás Bencsik, in german and english language.
Numerous images, 334 pages