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Current

The World Without Us

  • Katharina Sieverding, Die Sonne um Mitternacht schauen SDO/NASA (Blue), 2010–15
  • Nika Neelova, Second Sight, 2025
  • Christian Kosmas Mayer, Allochthone, #4 #6 #7, 2012
  • Sophia Gatzkan, Without the blood bond the arch would fall, 2025
  • Philip Topolovac, Aggregate, 2014
  • Martin Walde, UBIQ_X, 2021
  • Michał Zawada, Landscape with Mountains and a Comet, 2020
  • Nicolás Lamas, The Agony of the Past Detail, 2023

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The exhibition brings together artistic positions that draw on concepts such as “deep time” – time periods spanning billions of years, in which human existence is little more than a fleeting moment – and “cosmic horror”, a feeling caught between fascination and terror when faced with non-human existence that is inconceivable to our notions of time and space.

Max Pechstein

  • Max Pechstein, The conversation, 1920
  • Max Pechstein, Evening in the Harbour of Łeba, 1951
  • Max Pechstein, Portrait of Marta, 1949
  • Max Pechstein, At Lake Garder, 1924
  • Max Pechstein, Women on the Shore, 1953
  • Max Pechstein, Female unicyclists, 1928
  • Max Pechstein, Breaking Wave, 1943
  • Max Pechstein, Portrait of a Gentleman (Wolfgang Gurlitt), 1919
  • Max Pechstein, Self-Portrait with Pipe, um 1946
  • Max Pechstein, Sunflowers with Blue Vase, 1948

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This comprehensive retrospective showcases major works from several creative periods of Hermann Max Pechstein (1881–1955). In a section focusing specifically on Linz, the exhibition highlights Pechstein’s special relationship with Wolfgang Gurlitt. Over 100 works – including portraits, paintings of the Baltic Sea and motifs from the South Sea – are on display for the first time in Austria.

The Collection

  • exhibition view
  • Gustav Klimt, Head of a Woman, 1917
  • exhibition view
  • Valie Export, Identity Transfer III, 2000 (1968)
  • exhibition view
  • exhibition view
  • Paula Modersohn-Becker, Landscape with Three Children and Goat, 1902
  • exhibition view
  • Heimo Zobernig, Untitled, 2017
  • exhibition view
  • Lovis Corinth, Portrait of Wolfgang Gurlitt, 1917
  • exhibition view
  • Gabriele Muenter, The blue lake, 1954
  • Maria Lassnig, Self-Portrait with a Telephone, 1973
  • Oskar Kokoschka, Friends, 1917/18
  • Andy Warhol, Marilyn, 1967
  • Anna Jermolaewa, Untitled, 2002
  • 1165 Haring Keith Red Yellow Blue No

The collection is the heart and the soul of our museum. The basic idea underpinning this presentation of the museum’s collection is restoring the chronological sequence of works, which will allow visitors to get to know the most important movements and styles of art history from the 19th century to the present in the original. In addition to this, we are putting the focus on artists who have a special relationship with Linz and the Lentos, such as VALIE EXPORT and Herbert Bayer.

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Awarded the Austrian Eco-Label for Museums
Museen der Stadt Linz

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