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The Collection

  • Heimo Zobernig, Untitled, 2017
  • Gustav Klimt, Head of a Woman, 1917
  • Gabriele Muenter, The blue lake, 1954
  • Maria Lassnig, Self-Portrait with a Telephone, 1973
  • Lovis Corinth, Portrait of Wolfgang Gurlitt, 1917
  • Oskar Kokoschka, Friends, 1917/18
  • Valie Export, Identity Transfer III, 2000 (1968)
  • Andy Warhol, Marilyn, 1967

The collection is the heart and the soul of our museum. The basic idea underpinning this presentation of the museum’s collection is restoring the chronological sequence of works, which will allow visitors to get to know the most important movements and styles of art history from the 19th century to the present in the original. In addition to this, we are putting the focus on artists who have a special relationship with Linz and the Lentos, such as VALIE EXPORT and Herbert Bayer.

Being a Girl*!?

  • exhibition view
  • exhibition view
  • exhibition view
  • exhibition view
  • exhibition view
  • exhibition view
  • Muntean/Rosenblum, Untitled (In the world we …), 2003
  • Borjana Ventzislavova, from the series „Me, You and Them. No one is secure“, 2008
  • , ,
    Dwora Fried, Big Red Riding Hood, 2018
  • Rosa Rendl, Never Tired, 2015
  • Pablo Picasso, Jeune fille espagnole devant la mer, 1901
  • Isa Schieche, Filmstill Essayfilm - Dirty Care, 2024
  • Elisabeth von Samsonow, Miss Fortune, 1998
  • Eugenie Breithut-Munk, Kindertanz, 1905
  • Ceija Stojka, Selbstporträt mit tätowierter KZ-Nummer, around 2000
  • Alfredo Barsuglia, Mädchen mit Schere, 2006
  • Anna Breit, Emma and Debra, from the series „Teens (in their rooms)“, 2021

to

What is it that motivates girls nowadays and what role models have been handed down to us from the past? Contemporary art often deals with images of girls in socially motivated contexts: coming of age, self-improvement trends – often in interaction with social media – fluid genders, issues surrounding diversity, interculturalism and inclusion.

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Museen der Stadt Linz

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