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The Collection

  • Heimo Zobernig, Untitled, 2017
  • Gustav Klimt, Head of a Woman, 1917
  • Gabriele Muenter, The blue lake, 1954
  • Maria Lassnig, Self-Portrait with a Telephone, 1973
  • Lovis Corinth, Portrait of Wolfgang Gurlitt, 1917
  • Oskar Kokoschka, Friends, 1917/18
  • Valie Export, Identity Transfer III, 2000 (1968)
  • Andy Warhol, Marilyn, 1967

The collection is the heart and the soul of our museum. The basic idea underpinning this presentation of the museum’s collection is restoring the chronological sequence of works, which will allow visitors to get to know the most important movements and styles of art history from the 19th century to the present in the original. In addition to this, we are putting the focus on artists who have a special relationship with Linz and the Lentos, such as VALIE EXPORT and Herbert Bayer.

The Best of All Worlds!?

  • Michèle Pagel, Everything counts, 2024
  • Christian Kosmas Mayer, Atlas / Pilot, 2016/2020
  • Nika Kupyrova, p 127, 2022
  • Kerstin von Gabain, , 2023
  • Hans Schabus, Ikarus (moss gray), 2017
  • Nicole Six & Paul Petritsch, Videostill Pilot - Dialogically expanding the horizon, from Klagenfurt to Klagenfurt, 2021

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To mark the 20th anniversary of the Cardinal König Art Prize, the exhibition showcases works by previous prizewinners.

Wolfgang Gurlitt

  • Exhibition view, Wolfgang Gurlitt. Art dealer and profiteer from Bad Aussee, 2024
  • Exhibition view, Wolfgang Gurlitt. Art dealer and profiteer from Bad Aussee, 2024
  • Exhibition view, Wolfgang Gurlitt. Art dealer and profiteer from Bad Aussee, 2024

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In two rooms of the Kammerhofmuseum in Bad Aussee, the visiting exhibition of the Lentos Kunstmuseum Linz sheds light on the eventful life of the passionate collector and Berlin art dealer Wolfgang Gurlitt (1888–1965) and his Jewish partner Lilly Christansen-Agoston (1894–1950). Both were involved in the trade of confi scated and “degenerate” art during the National Socialist era.

Come Sing Along!

  • , The Undercurrent, ,
    Rory Pilgrim, The Undercurrent, 2019
  • Dejan Kaludjerović, I Don‘t Know That Word… Yet!, 2023
  • Maria Lassnig and Hubert Sielecki, Maria Lassnig Kantate, 1992
  • Clément Cogitore, Les Indes Galantes, 2017
  • Nengi Omuku, The Symphony, 2023
  • Christian Jankowski, The Day We Met, 2003

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As part of the Anton Bruckner Year 2024, the exhibition is dedicated to the aspect of communal singing from the perspective of contemporary art. The collection brings together around 20 national and international figures for whom singing is a fundamental point of reference within their artistic practice.

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