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Katrin Plavčak

  • Katrin Plavčak, Is she a lady?, 2015
  • Exhibition view, Kat­rin Plavčak. Pain­ting Rea­li­ty in Sur­re­al Times, 2026
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    Katrin Plavčak, Legal Aliens, 2010
  • Exhibition view, Kat­rin Plavčak. Pain­ting Rea­li­ty in Sur­re­al Times, 2026
  • Katrin Plavčak, Republik Europa (The Lady facing Afrika), 2018
  • Exhibition view, Kat­rin Plavčak. Pain­ting Rea­li­ty in Sur­re­al Times, 2026
  • Katrin Plavčak, Woman Soldier, 2010
  • Katrin Plavčak, Big Smoke Cooking, 2025
  • Katrin Plavčak, Ocean, 2026
  • Katrin Plavčak, Parallel Worlds, 2022
  • Katrin Plavčak, Cuz, it’s so sad, bro / Darnella Frazier, 17 (George Floyd), 2020

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Katrin Plavčak’s canvases are a hive of vibrant activity – but the cheerfulness of the colours and the subjects depicted only superficially belies the seriousness with which Plavčak reflects on scientific, social and political issues.

erika roessing (1903–1977)

  • erika roessing, Fruit on the Leaf, 1974
  • erika roessing, Bird Night, 1972
  • erika roessing, The Draft, 1969
  • erika roessing, Pigeon and Fish, 1958
  • erika roessing, Autumn Day, 1976
  • erika roessing, Laurel above the Bird, 1973
  • erika roessing

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In her tranquil, poetic tempera paintings, erika roessing repeatedly rearranges similar objects – and yet each painting is unique. The exhibition shows erika roessing’s still lifes in dialogue with major works created by her husband, and highlights the artistic symbiosis of the couple.

The Collection

  • exhibition view
  • Portrait sketch of a woman with a face outlined in blue and a light-colored gown on beige paper.
    Gustav Klimt, Head of a Woman, 1917
  • exhibition view
  • Valie Export, Identity Transfer III, 2000 (1968)
  • exhibition view
  • exhibition view
  • Paula Modersohn-Becker, Landscape with Three Children and Goat, 1902
  • exhibition view
  • Heimo Zobernig, Untitled, 2017
  • exhibition view
  • Lovis Corinth, Portrait of Wolfgang Gurlitt, 1917
  • exhibition view
  • Gabriele Muenter, The blue lake, 1954
  • Self-portrait of a seated person with a green telephone cord wrapped around their neck. On the table in front lies a green telephone receiver on a white tablecloth. The background is painted in shades of turquoise and green.
    Maria Lassnig, Self-Portrait with a Telephone, 1973
  • Expressive group portrait of several people at a table in bold, dark colors.
    Oskar Kokoschka, Friends, 1917/18
  • Andy Warhol, Marilyn, 1967
  • Anna Jermolaewa, Untitled, 2002
  • 1165 Haring Keith Red Yellow Blue No

The collection is the heart and the soul of our museum. The basic idea underpinning this presentation of the museum’s collection is restoring the chronological sequence of works, which will allow visitors to get to know the most important movements and styles of art history from the 19th century to the present in the original. In addition to this, we are putting the focus on artists who have a special relationship with Linz and the Lentos, such as VALIE EXPORT and Herbert Bayer.

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Corporate Partner
Awarded the Austrian Eco-Label for Museums
Museen der Stadt Linz

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