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Press kit: The Journey of the Paintings
Hitler’s cultural policies and the art trade; the storage and safekeeping of art works in the Salzkammergut during the Nazi era
20.3. – 8.9.2024

During World War II, the Salzkammergut was unrivalled among Austria’s regions as a transshipment point and a safe haven for outstanding works of art of European art history. For the “Führermuseum” Hitler was planning for Linz, he used the Aussee salt mines as holding areas for works of art. Nor was he alone. Leading Austrian museums were also availing themselves provisionally of mines, churches, and even pubs in St. Agatha, Bad Aussee, Altaussee, and in Bad Ischl/Lauffen as temporary places of storage and safekeeping.

The exhibition sets off in an exemplary manner in search of works of art, which were hoarded, stored, looted, aryanized, forcibly sold, shifted to the black market, auctioned off or salvaged in the Salzkammergut in World War II. The paths these works of art struck out into the wide world were the consequence of their “uprooting”. The exhibition features masterpieces by such artists as Arnold Böcklin, Lovis Corinth, Francisco José de Goya, Francesco Guardi, Oskar Kokoschka, Franz von Lenbach, Hans Makart, Edvard Munch, Moritz von Schwind, Max Pechstein, Giovanni Battista Tiepolo, Tiziano and Ferdinand Georg Waldmüller.
The contemporary installation Ruinenwert [The Value of Ruins] (2019) by German artist Henrike Naumann expands the exhibition architecture designed by the artist-and-architect duo Nicole Six and Paul Petritsch. The exhibition Reise der Bilder functions as an important cross-border project focusing on Austria (Linz / Salzkammergut) – Italy – Germany – Netherlands – France.

Location: Lentos Kunstmuseum Linz

Curators: Elisabeth Nowak-Thaller (Projectlead, Vize-Director Lentos), Birgit Schwarz (expert in the Nazis’ art policies, guest curator)

Lentos and the European Capital of Culture 2024 – Linz, Lauffen, Bad Aussee


Within the overall framework of the programme line “Power and Tradition", the Lentos Kunstmuseum Linz contributes three exhibitions in a project entitled “Uprooted Pictures" to the European Capital of Culture 2024.
Of these, Uprooted Pictures. Hitler’s Cultural Policies, the Art Trade, Storages and Retrievals in the Nazi Era at Linz’s Lentos is the Capital of Culture’s flagship event in the capital of Upper Austria and invites visitors to stop over on their way to or from the Capital of Culture.
Furthermore, the Lentos will be present in the Salzkammergut in a collaborative venture with the Kammerhofmuseum in Bad Aussee, the exhibition Wolfgang Gurlitt. Art dealer and profiteer in Bad Aussee, and in an exhibition at the revitalised former Marktrichterhaus [Market Reeve’s House] in Lauffen, entitled The Life of Things. Looted – Displaced – Salvaged.


More about Bad Ischl Salzkammergut 2024 Capital of Culture (press area)

Images
Anthonis van Dyck, Jupiter as Satyr at Antiope, about 1620
Loan from the Federal Republic of Germany to the Wallraf-Richartz-Museum & Fondation Corboud, City of Cologne. This object comes from former Reich property. For information on the provenance, see www.kunstverwaltung.bund.de
Photo: © Rheinisches Bildarchiv Köln, rba_c004648 (Wallraf-Richartz-Museum & Foundation Corboud, Köln, Inv.Nr. Dep. 0278) https://www.kulturelles-erbe-koeln.de/documents/obj/05011119
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Friedrich von Amerling, Girl with straw hat, 1835
(c) LIECHTENSTEIN. The Princely Collections, Vaduz-Vieann
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Folding model of the Ghent altar, um 1900
Gemäldegalerie Staatliche Museen zu Berlin
Photo: Christoph Schmidt
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Tiziano Vecellio, Amor, 1530
Picture Gallery of the Academy of Fine Arts Vienna
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Ferdinand Georg Waldmüller, Lower Austrian farmer's wedding, 1843
Photo: Belvedere, Wien
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Arnold Böcklin, Castle by the Sea (Murder in the Castle), 1859
Loan of the Federal Republic of Germany to the Museum Folkwang, Essen This object comes from former Reich property. For information on the provenance see www.kunstverwaltung.bund.de
Photo: Museum Folkwang Essen - ARTOTHEK
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Parc in Kösen, 1906
Belvedere, Wien
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Claes Molenaer, Winter Landscape, 1630-1676
OÖ Landes-Kultur GmbH, Province of Upper Austria, Collection: Art and Cultural History until 1918
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Lovis Corinth, Dame am Goldfischbassin, 1911
Photo: Johannes Stoll/ Belvedere, Wien
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Model - Führer Museum Opernplatz Art Museum
Photo: Archive of the City of Linz
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Deposits in the Altaussee salt mine, 1943/44
Federal Monuments Office Austria
Photo: Eva Kraft
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Art transports from the Altaussee salt mine, 1943/44
Federal Monuments Office Archive
Photo: Eva Kraft
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Art transports from the Altaussee salt mine, 1943/44
Federal Monuments Office Archive
Photo: Eva Kraft
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Depository Salzbergwerk Altaussee, 1943/44, 1943/44, Federal Monuments Office, Photo: Eva Frodl-Kraft
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Nicole Six und Paul Petritsch, Filminstallation #6: Villa Munk, Bad Aussee, The Journey of the Paintings
Lentos Linz, © Bildrecht 2024
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Exhibition view "The Journey of the Paintings", 2024
Lentos Kunstmuseum Linz
Photo: Violetta Wakolbinger
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Curators Birgit Schwarz & Elisabeth Nowak-Thaller, 2024
Lentos Kunstmuseum Linz
Photo: Violetta Wakolbinger
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Exhibition view "The Journey of the Paintings", 2024
Lentos Kunstmuseum Linz
Photo: Violetta Wakolbinger
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Exhibition view "The Journey of the Paintings", 2024
Lentos Kunstmuseum Linz
Photo: Violetta Wakolbinger
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Exhibition view "The Journey of the Paintings", 2024
Lentos Kunstmuseum Linz
Photo: Violetta Wakolbinger
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Texts

Exhibition booklet

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Press information: "The Journey of the Paintings"

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Contact

Clarissa Ujvari
Public Relations & Web
clarissa.ujvari@lentos.at
+43 732 7070 3603
+43 650 4849706

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